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The Voices That Are Gone: Themen im amerikanischen Volkslied des 19. Jahrhunderts

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PublishedOn
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Title
The Voices That Are Gone: Themes in Nineteenth-Century American
ISBN
9780195113822
Publication Name
Voices That Are Gone : Themes in Nineteenth-Century American Popular Song
Item Length
9.2in
Publisher
Oxford University Press, Incorporated
Publication Year
1997
Type
Textbook
Format
Trade Paperback
Language
English
Item Height
0.7in
Author
Jon W. Finson
Features
Reprint
Item Width
6.1in
Item Weight
17.8 Oz
Number of Pages
368 Pages

Über dieses Produkt

Product Information

In this unique and readable study, Jon Finson views the mores and values of nineteenth-century Americans as they appear in their popular songs. The author sets forth lyricists' and composers' notions of courtship, technology, death, African Americans, Native Americans, and European ethnicity by grouping songs topically. He goes on to explore the interaction between musical style and lyrics within each topic. The lyrics and changing musical styles present a vivid portrait of nineteenth-century America. The composers discussed in the book range from Henry Russell ("Woodman, Spare That Tree"), Stephen Foster ("Oh Susanna"), and Dan Emmett ("I Wish I Was in Dixie's Land"), to George M. Cohan and Maude Nugent ("Sweet Rosie O'Grady"), and Gussie Lord Davis ("In the Baggage Coach Ahead"). Readers will recognize songs like "Pop Goes the Weasel," "The Yellow Rose of Texas," "The Fountain in the Park," "After the Ball," "A Bicycle Built for Two," and many others which gain significance by being placed in the larger context of American history.

Product Identifiers

Publisher
Oxford University Press, Incorporated
ISBN-10
0195113829
ISBN-13
9780195113822
eBay Product ID (ePID)
88792

Product Key Features

Author
Jon W. Finson
Publication Name
Voices That Are Gone : Themes in Nineteenth-Century American Popular Song
Format
Trade Paperback
Language
English
Features
Reprint
Publication Year
1997
Type
Textbook
Number of Pages
368 Pages

Dimensions

Item Length
9.2in
Item Height
0.7in
Item Width
6.1in
Item Weight
17.8 Oz

Additional Product Features

Lc Classification Number
Ml3477.F55 1997
Edition Description
Reprint
Reviews
"Finson's work represents a superior addition to a body of literature..."--American Music "Finson's history of the racial, societal, and theatrical factors that went into minstrel show stereotypes is a brilliant and perceptive overview....he arranges it in a framework that enlarges and brightens our understanding of the human forces at play in the fields of song."--Notes, "Finson's work represents a superior addition to a body of literature..."--American Music"Finson's history of the racial, societal, and theatrical factors that went into minstrel show stereotypes is a brilliant and perceptive overview....he arranges it in a framework that enlarges and brightens our understanding of the human forces at play in the fields of song."--Notes, "Though written to be accessible to general readers, Finson's book is an important scholarly work as well, a 'must have' for college and university libraries at all levels."--Choice, "Finson's history of the racial, societal, and theatrical factors that went into minstrel show stereotypes is a brilliant and perceptive overview....He arranges it in a framework that enlarges and brightens our understanding of the human forces at play in the fields of song."--Notes, "Finson's work represents a superior addition to a body of literature..."--American Music"Finson's history of the racial, societal, and theatrical factors that went into minstrel show stereotypes is a brilliant and perceptive overview....he arranges it in a framework that enlarges and brightens our understanding of the human forces at play in the fields of song."--Notes"Though written to be accessible to general readers, Finson's book is an important scholarly work as well, a 'must have' for college and university libraries at all levels."--Choice"Finson's work represents a superior addition to a body of literature..."--American Music"Finson's history of the racial, societal, and theatrical factors that went into minstrel show stereotypes is a brilliant and perceptive overview....He arranges it in a framework that enlarges and brightens our understanding of the human forces at play in the fields of song."--Notes, "Finson's history of the racial, societal, and theatrical factors thatwent into minstrel show stereotypes is a brilliant and perceptive overview....hearranges it in a framework that enlarges and brightens our understanding of thehuman forces at play in the fields of song."--Notes, "Though written to be accessible to general readers, Finson's book is animportant scholarly work as well, a 'must have' for college and universitylibraries at all levels."--Choice
Copyright Date
1997
Topic
History & Criticism, United States / 19th Century, Genres & Styles / Pop Vocal
Lccn
96-038118
Dewey Decimal
782.4216
Intended Audience
College Audience
Dewey Edition
21
Illustrated
Yes
Genre
Music, History

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USt-IdNr.:
  • GB 724498118
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